The tone is also a bit odd, jumping from cheesy action fluff in the beginning to more serious scenes after, and then back again.
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The movie really drags at times, yet doesn’t even fully explain all of the rules of its magic stone or the goals of its main villain. And the thing is, it really did not need to be. We also get the introduction of the famous invisible jet, Steve adjusting to life in the 80’s, and Barbara having to face the same moral dilemma as Diana when confronted with giving up her own wish or losing herself in the process.Īfter everything is said and done, this movie really is a mixed bag.
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As things escalate, Diana must figure out how to stop a seemingly unstoppable man who grows in power exponentially by the minute, as well as decide how far she’s willing to go to keep Steve Trevor in her life now that he’s back. What matters is that Maxwell is a basic embodiment of greed, accumulating more for himself through the wishes of others and magnifying his influence and power with each wish made. This gives him the power to grant wishes at the cost of something valuable from the wish-maker, but decided by him? The rules are a bit hazy. Once in his possession, he actually pulls an interesting move and wishes to become the stone himself, à la Jafar at the end of Aladdin. Maxwell, a shady oil businessman/television personality, has learned of the wishing stone and manipulates Barbara to get it for himself. But before this can happen, we see the introduction of the film’s main villain, Maxwell Lord (Pedro Pascal). As for Barbara, her most valuable possession shows itself to be her empathy and humanity, which we see her slowly shed as the film goes on until finally becoming the comics legend of Cheetah, Wonder Woman’s iconic rival.
For Diana, this is her strength and agility that allows her to help people as Wonder Woman. However, as it goes with many of these plots, this is a Monkey’s Paw situation, where the stone will grant your wish but also take what is most valuable to you. Steve essentially inhabits the body of a random man to “live again,” and Barbara finds herself being admired by co-workers, dressing fashionably, and having lots of doors opened to her. Without realizing it, Diana wishes for Steve back and Barbara wishes to be more like Diana, and voila! They get everything they’ve been wishing for. As it turns out, the museum has recently received a mysterious rock, later revealed to be a mythical wishing stone. We jump in to see her opening up a bit by befriending new co-worker Barbara Minerva (Kristen Wiig), an awkward genius who seems to really click with Diana. When she’s not fighting baddies, Diana works as a museum curator detached from the world. Diana Prince (Gal Gadot) is still running around doing good and stopping crime as Wonder Woman, but keeps her identity secret. Wonder Woman 84 takes place in, as the title would suggest, 1984, putting it quite a long time after the World War I setting of the first film. Now that it’s here, did it live up to expectations set by the first film? Well, let’s look at the basics.
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Full of questions and excitement, fans counted down the days to the release of the sequel. Among the returning cast was Chris Pine as Steve Trevor, an interesting choice considering that he seemed to have died at the end of the first film. Patty Jenkins returns as director, and some of the cast would be returning as well.
So when the sequel Wonder Woman 84 was announced, casual and hardcore fans alike seemed cautiously excited to see what would become of it. Wonder Woman in particular is regarded by many as a fantastic superhero film that changed how many people view DC as well as female-led super flicks. Some DC movies have succeeded with this task, while others have fallen short in this regard. The issue then became one of finding identity since Marvel had such a strong cultural hold on the superhero blockbuster, it was imperative for DC movies to find their own brand of storytelling that captures the superhero feeling we’ve come to associate with those films while still carving their own recognizable film identity. Films like Wonder Woman, Shazam, and Joker have proven that there’s room for superheroes other than Marvel on the big screen, and they don’t all have to act like Batman. After a bit of a struggle to find their footing, DC has been having a much better time in the movie playing field as of late.
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